Wall of Encouragement public activation
Installing Make Something Edmonton’s message ~ 2016

Aspiring to build a distinctly Edmonton brand, the now-defunct Make Something Edmonton (MSE) wrote and designed the massive Take A Risk message. Ambitious to go big and publicly launch their "Messages of Encouragement" they approached CLD to fabricate gigantic letters and devise an installation 40m (~130ft) high onto a concrete firewall facing Edmonton's City Hall.

Their encouraging messages contained sentiments or attitudes they believed expressed "Edmonton-ness." Designed in Helvetica Bold Condensed, some included—What are you making? How can we help?—Five minutes here and you're one of us.—Some cities are finished, others you can change.—Take a risk. It's the most Edmonton thing you can do.

Make Something Edmonton intended to publicly activate its encouraging messages throughout downtown in various ways, places and scales. A place-brand strategy they called "Encourage" formed the basis of their communications effort, and CLD was asked to craft and install (what they planned to be) the first of many. MSE retains full credit for its campaign's strategy, writing, location, and design.

Visit the Make Something Edmonton archive page to learn more and listen to CBC reporter Clare Bonnyman's new podcast This Is Edmonton to hear more from me on this project and about art and design with David Turnbull, public art director at the Edmonton Arts Council. 

Figure 1. Make Something Edmonton’s Only In Edmonton, Wall Project brand summary and creative brief. (2016)
Figure 2. (Detail) Make Something Edmonton’s “What are you making? How can we help? Supplied visual mock-up (2016)

Make Something Edmonton’s “ENCOURAGE” book includes written and photographic essays and observations that document and explore cultural and community experiences in Edmonton. 

Make Something Edmonton’s branding and design guidelines “THE WORLD NEEDS MORE EDMONTON” included strategy and instructions for applying their written and visual branding assets.

How the wall got started.

Their aspiration to express "Edmonton-ness" interested me. Statements like "Some cities are finished. Others you can change." and "What are you making? How can we help?"—brought forth inclusion and invited participation in the City in new or emerging ways while celebrating good things already happening here. Make Something Edmonton intended to activate public space with their messages, a bit like an advertising campaign, but different by involving local artists and makers to embolden E-town's vibe and grassroots DIY efforts.

The Make Something Edmonton creative team, building owner (Melcor) and their working group arrived at "Take A Risk. It's the Most Edmonton Thing You Can Do." This text was not my first choice, and I pointed to alternatives from their collection. CLD was tasked to make and install the letters, not choose the message to become the first of many installations. That said, I reminded the working group to consider the complexity of presenting any message (particularly a didactic one) about Edmonton in the public realm at this scale—which can (and did) generate hot debate.

How the message was installed.

Locally acclaimed Edmonton graffiti artist Evan Rast and I plotted a grid and installed all 40+ characters early that summer in just two weeks. Edmonton is notorious for gusty thunderstorms, and we worked safely harnessed from two elevated platforms supported from the top of the building. We sliced all the letters laterally and carefully aligned each piece to our own measurements—then laminated them one by one to the aggregate surface suspended along the building well over 40 meters high. All without any available architectural drawings.

For those readers who are also lettering designers or typographers—this was by far the largest kerning-to-letter pair ratio I have ever resolved. Getting a jpeg of a visual mockup is one thing. Making letters work at this scale is another.

How CLD made it.

In the spring of 2016, Clay did a lot of math and proportionately scaled, projected, hand-cut and hand-painted the letters in the studio. Using an industrial-weight non-woven poly-fabric as a physical medium, CLD painted every letter with multiple coats of high-polymer exterior white.

When dry, the paint significantly reinforced the strength of the fabric and allowed the permeable fibrous membrane to wick-away and transfer moisture. Then, we laminated each letter to the wall with an artist-grade acrylic polymer medium which is like paint without pigment. In simple terms, each letter is a lightweight and breathable hand-painted fabric sticker.

Bored with the austere white letters in studio production, I convinced the design director that a subtle blue texture be added. Indicating the sky above the building, and creating the effect that you can see right through concrete. Always in motion, the sky texture symbolizes changing perspectives, blue-sky thinking and open mindedness. For me, this subtle but powerful concept asks an important question—what vision of the future might we share and what risks are we willing to take to share it?

What stood out?

Once publicly launched, their message received a lot of conversation and mixed public responses. The discussion online examined interpretation of the text and questioned what risk and large-scale public work means here. Did it come across as unsympathetic or trite? Or, did an Edmonton audience lose the signal of Make Something Edmonton's campaign to the noise of social media in 2016?

The public response asked Make Something Edmonton, what was to come next? Perhaps a missed opportunity for MSE to guide the conversation and clarify their brands positioning?

Take A Risk was part of their big-picture strategy that may remain unclear or unrealized with just the one big installation to reference. Without the guidance the public needed from Make Something Edmonton to include them in their brand story, the message became an internet meme.

To CLD, it was a test of technical planning, craft and endurance. And to Clay this installation was closer to advertising or signage than art—and archives the effort and attempt of Make Something Edmonton to build a uniquely Edmonton brand.

MSE initiated hundreds of projects in the City and generated tons of content in service of building community and sharing Edmonton with the world. That same year Make Something Edmonton supported the Rust Magic International Street Mural Festival and invited long-time collaborator visual artist AJA Louden and me to create a public installation titled Pehonan/Notre Villes/This City. Written by Edmonton's 2016 Poet Laureate in Cree, French and English, you can learn more about that community art project here.

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Edmonton Inner City Legal Art Wall ~ Public Art & Arts Advocacy (2002)

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Sculptural Sign ~ Art Direction, Industrial Design & Fabrication (2016)